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- From: csmith@cc.gatech.edu (Christopher Smith)
- Subject: FAQ for rec.sport.tennis (4/5) - Equipment
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- Summary: Answers to frequently asked questions about tennis, including
- information about professional tournaments, rankings and records.
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- Archive-name: tennis-faq/equipment
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-
- FAQ for rec.sport.tennis -- File 4 of 5
-
- Table of Contents - File 4
-
- File Item Title
- ---------------------------------------------------------------------
- 4 -21- Buying a Tennis Racquet -- Issues to Consider .
- -22- Explanation of Racquet Grips . . . . . . . . .
- -23- Racquet Stringing Information . . . . . . . . .
- ---------------------------------------------------------------------
-
-
- -------------------------------------------------------------------------------
-
- -21- Buying a Tennis Racquet -- Issues to Consider
-
- (This section is a condensed version of an article originally posted by
- Charles Lin, clin@eng.umd.edu - modified by csmith@cc.gatech.edu).
-
- The following article discusses various criteria individuals may want
- to examine when considering buying a new tennis racquet. The following
- topics are covered:
-
- + Price
- + Where to buy (mail order vs. local store)
- + Racquet size
- + Flexibility
- + Racquet material
- + Vibration dampening
- + Racquet strings and stringing
- + Grips
- + Head balance
- + Weight
-
-
- If you are looking for a racquet, the short advice is to hit with as
- many racquets as you can, and pick the one you like best. Like anything,
- choosing racquets is a highly subjective decision, and you will get
- pickier as you get better in tennis. As a beginner, you may not have
- as much information as you would like. This article summarizes issues
- you should think about when buying a racquet.
-
- Price
- -----
-
- Racquets range anywhere from 30 US dollars all the way up to 250 US
- dollars and more. They may roughly be divided into two classes - those
- costing $90 US or less, and those costing more than $90 US. Generally,
- a reasonable racquet will cost at least $90 US (not on sale). Most
- racquets in this price range are made of graphite material or a graphite
- composite. A few inexpensive racquets may be composed of a metallic
- material such as aluminum. Usually the more expensive racquets (200 to
- 300 US dollars) will have fancier features, but a less expensive model
- may well suit your needs.
-
- Mail order or not
- -----------------
-
- Should you mail order or not? The main advantage of mail order is
- cost savings and more selection variety. Disadvantages: (1) you might get
- ripped off; (2) no-return policies; (3) you can't play-test the racquet
- before buying. If you do choose to mail order, you may want to call the
- Better Business Bureau (in the US) in the city where the company operates
- from to see what kinds of complaints you get.
-
- Buying from sports stores allows you to take the racquet home right
- away. You may be able to come close to a mail-order price if you find the
- racquet you want on sale. You can sometimes get discontinued racquets at
- great prices. Also, you can usually return the racquet if not satisfied.
-
- Size of racquet
- ---------------
-
- The "racquet size" refers to the area bounded by the oval part of the
- racquet frame (the racquet head). Sizes may be roughly divided into four
- categories:
-
- + Standard (approx 66 sq. inches -- the old wood racquets)
- + Midsize (80-90 sq. inches)
- + "Mid-overs" or "Mid-plus" (95-105 sq. inches)
- + Oversize (Approx 110 sq. inches)
-
- (1 square inch = 6.452 square cm)
-
- You can no longer find the standard size racquets which are the old
- wooden racquets of the past. Ever since Pam Shriver and others started
- using larger-sized racquets, other pros and amateurs have made the switch.
-
- What does size mean to you? An oversized racquet means you have
- more area to hit the ball, and the racquet is more forgiving on off-center
- shots. Many baseliners use oversize racquets because they hit many strokes
- and tend to utilize the extra area to help with topspin production. These
- racquets can lead to sloppy stroke production and can be too powerful for
- some players. This is usually not a big problem for most players.
-
- A midsize racquet is usually a little better for volleyers who play
- against hard hitters because it provides a bit of control. On the other
- hand, the oversized racquet still provides more area to hit with, and
- some serve and volleyers will use oversized racquets.
-
- The mid-over is a compromise -- more powerful than the midsize but
- not as powerful as the oversized. These racquets are becoming more popular
- than midsize racquets. Some companies have introduced super-oversized
- models, which are a bit larger than oversize (typically about 115-120
- sq. in.). There are even a few models around 130 sq. inches, which are
- probably much too big for reasonable play and should be avoided. The
- best way to determine the right size for you is to play-test with the
- different sizes. There are a great number and variety of mid-over and
- oversize models to choose from.
-
- Widebodies
- ----------
-
- The "widebody revolution" started in the late 80's with models such
- as the Wilson Profile. Different companies have produced various racquets
- that vary in their widebody construction (e.g., equally wide - Classic
- Beam; wide on top - Prince; wide on bottom - Head).
-
- Generally, Wider -> More powerful, stiffer, more expensive. Wide-
- bodies are usually 18mm (very narrow) up to 30mm wide. The general rule
- of thumb is that the quicker and longer a stroke motion you have, the
- narrower a racquet you should use (not a hard-and-fast rule, though).
-
- It should be noted that you are not going to find non-widebodies
- around. Almost every racquet is wide to some extent. One problem with
- widebodies occurs when people try to hit the ball edge on as in extreme
- sliced shots or topspin shots. You tend to hit the side of the racquet
- a lot more. You can compensate through a bit of practice.
-
-
- Stiff or flexible
- -----------------
-
- Stiff racquets bend and torque a lot less than flexible racquets and
- thus usually generate more power. Stiff racquets will also produce a bit
- more accuracy than a flexible racquet because they twist less on impact so
- the response is more predictable. Primarily though, flexibility translates
- to comfort. Stiff racquets tend to be more uncomfortable (i.e., produce
- more shock to the arm) than flexible racquets. The widebodies all tend
- to be fairly stiff racquets though many of these racquets now have some
- kind of dampening system (see Vibration Dampening below).
-
- Material
- --------
-
- Racquets are usually composed of graphite and metal. There are no
- racquets made of wood being made today. Ceramic racquets, which used to
- be made, are reported too brittle and are more likely to break than graphite
- racquets. Almost all metal racquets are junior sized racquets or lower
- priced racquets. Graphite racquets are sometimes combined with other
- materials such as fiberglass to affect the flexibility. Generally, if
- you want to play "seriously", you choose graphite. The graphite racquets
- tend to have better vibration technology than metal.
-
- Vibration dampening
- -------------------
-
- Vibration dampening appears to be the current industry fad (e.g., Head -
- Vibrasorb, Dunlop - ISIS, Prince - liquid crystal polymers). The method
- for dampening a racquet's vibration is provided either in the material of
- the racquet, the material underneath the grip, or some method of "isolating"
- the head of the racquet with the body. Vibration dampening affects the
- "feel" of a racquet by alleviating the "shock" of ball impact and can help
- alleviate a common cause of tennis elbow (improper stroke production is
- another cause).
-
- You can also buy vibration dampeners which can be sponge inserts,
- plastic inserts, or you can even tie a rubber band to the racquet like
- Agassi. These dampeners probably work, but it's a matter a personal
- judgment as to whether you need these devices.
-
- Strings
- -------
-
- Basically there are three kinds of strings you can get: (1) Nylon,
- (2) Gut, and (3) Synthetic Gut. Nylon is cheap and durable, but it is
- not overly resilient and tends to lose tension before it snaps. Gut is
- the choice of many pros, but it is rather expensive and generally not
- recommended unless you can afford to buy in bulk and have your own
- stringing machine. Gut strings are resilient, hold tension better, and
- players like the feel better. However, humidity affects the strings
- and cause them to degrade. Gut doesn't last as long as nylon.
-
- The compromise is synthetic strings. Basically, gut is made by long
- thin strands of cow or sheep gut, and it is twisted together in much the
- same way twine or string is made. Synthetic gut does the same thing with
- nylon strings to achieve the same effect. They cost more than nylon but
- less than real gut. They play and hold tension better than nylon.
-
- Strings come in various thicknesses, called "gauges." You have 15, 15L,
- 16, 16L, and 17. Larger numbers mean thinner strings. "L" means light and
- can be thought of as half as size (so 15L can be considered 15 1/2).
- Thick strings have less resilience and feel than thin strings but last
- longer.
-
- So-called "topspin" strings are mostly gimmicky and should probably be
- avoided. These are rough surfaced strings designed to grab the ball better.
- The feel or durability of the strings are not necessarily improved.
-
- Cost of strings range from about $8 (US) for nylon to $12-$30 for
- synthetic gut to $30-$35 for gut strings. Strings can be purchased in
- large reels for stringing at home for less.
-
-
- String snapping
- ---------------
-
- The main cause of strings breaking is excessive spin. If you play
- with lots of spin, you cause the strings to slide. Under the tensions
- these strings are under, this causes notches which you can actually see.
- The notches eventually break. The harder you hit, and the more spin you
- hit, the more likely the strings will break sooner.
-
- One way to avoid this problem (or at least prolong string life) is to
- use inserts called "String-a-lings" that prevent the strings from sliding
- too much. You can place this device at points where the string crosses.
- Another possibility is to use thicker strings or to string at a higher
- tension (next section). Higher tensions means less string sliding but
- can mean a greater likelihood that a string will snap (because of higher
- tensile pressure).
-
- String tension
- --------------
-
- Note: 1 pound (lb) = 0.448 kg * 9.8 m/s^2 = 4.39 Newtons
-
- String tension is usually measured in pounds (in the US). Recommended
- string tensions have varied with the times but these days usually run in the
- range of the mid 60's (pounds) for oversize and high 50's to low 60's for
- mid-overs.
-
- How do you choose a tension? If you're unsure, choose a tension that
- is halfway between the manufacturer's ranges. You can then adjust up or
- down until you find the tension most suitable for you. Exceeding the
- limits of manufacturer's recommended string tensions might void the
- racquet warranty (check with the racquet company if you have questions),
- but most racquets can withstand a great range of tensions before damage
- sets in. Higher tensions will probably cause a little more damage than
- lower tensions.
-
- Basically, higher tensions decrease the size of the sweetspot and
- reduce the power (thus increasing control a bit). The higher the tension,
- the more boardlike the feel. Some people like this. Desired tension is
- pretty much a matter of personal taste, and as you improve the level of
- your game, you are apt to notice small fluctuations in string tensions.
- Also note that the same string tension will have a different "feel" for
- different racquets.
-
- Overwraps
- ---------
-
- Most racquet grips used to be made of leather and would become hard to
- grip when the pores became clogged with dirt from your sweat. A solution
- to this problem is the use of an overgrip. Overgrips are *temporary* grips,
- and it is not recommended that you attempt to actually replace a racquet's
- existing grip.
-
- Overgrips fit over the existing grip (and thus increase the grip size
- a bit - see next section) and absorb the sweat better. Some overgrips are
- "tacky" or sticky. Some are even essentially gauze with tape and some
- sticky powder. They should be replaced about every five times of playing
- or sooner. Otherwise, they get a little icky. Some overgrips feel
- rubbery, others cloth like, others a bit powdery. They are about 5 US
- dollars for a set of three.
-
- Nowadays there are synthetic grips which are much easier to grip than
- leather, thus possibly removing the need for overgrips.
-
- Replacement Grips
- -----------------
-
- Replacement grips are meant to replace the original (leather or
- synthetic) grip that your racquet came with. Typically, this requires
- someone with experience to do this for you. Replacing a grip requires
- more skill than using overwraps. Replacement grips should cost less
- than 20 US dollars.
-
- Grip size
- ---------
-
- There are, generally speaking, three basic grip sizes: 4 3/8, 4 1/2,
- and 4 5/8 inches (1 inch = 2.54 cm). Despite the 1/8 inch difference in
- circumference, you can really notice the difference. A general rule of
- thumb is to choose the largest grip you feel comfortable with, but again
- there are exceptions to every rule. In some cases you might can obtain
- grip sizes as diverse as 4 1/8 or 4 7/8 inches through a mail order company
- or a local pro shop.
-
- Head balance
- ------------
-
- Take a racquet and find the length half way. A racquet is typically
- 27 inches long so this is 13 1/2 inches. If the racquet balances halfway,
- then it is even balance. If it tilts to the racquet head, it is head heavy.
- If it tilts toward the handle, it is head light. The balance of a racquet
- can make two racquets of equal weight feel different. The head heavy
- racquet will feel heavier than the lighter one when you swing (think of
- the difference in holding a hammer at either end).
-
- A head light racquet is better for serve and volleyers who need to
- move the racquet quickly. A head heavy racquet is a little better for
- baseliners who want to place more mass behind the racquet. Most racquets
- are only marginally head heavy or head light.
-
- Some terminology. Find the half way point (13 1/2 inches). If the
- balance point of your racquet is 3/8 inch closer to the racquet head than
- the halfway point, then it is 3 points head heavy (1 point = 1/8 inch).
- If the racquet balances 3/8 inch closer to the handle, then is is 3 point
- head light.
-
- Weight
- ------
-
- As a rule, the trend in weight is toward lighter and lighter racquets,
- particularly with the introduction of graphite. Racquets right now weigh
- about 11 and 1/2 ounces and decreasing with time. Some racquets are even
- less than 10 ounces. The lighter a racquet, the easier it is to swing.
- However, light racquets place less weight behind the shot, and hence you
- have to swing faster to get a more powerful shot. This has been the main
- way (along with balance) to tame the power of widebodies.
-
- Conclusion
- ----------
-
- This discussion is not meant to provide you with the method for selecting
- your racquet, rather to present the various issues you will confront as you
- make your choice. Good luck with the racquet hunt.
-
-
- -------------------------------------------------------------------------------
-
- -22- Explanation of Racquet Grips
-
- (This material provided by Charles Lin, clin@eng.umd.edu, and modified by
- csmith@cc.gatech.edu.)
-
- It is a bit difficult to explain the various racquet grips without a
- little "show and tell," so to speak, but the following discussion may be
- of help to beginners or players who are experimenting with racquet grips.
- Some diagrams to help with the discussion:
-
- Here's two views of a racquet, with numbered labels shown which are
- referred to in discussions below.
-
- ---------
- / 1 \ _______
- View from / 8 2 \ grip / \
- bottom / \ 1__________/ racquet \
- ------ | | |__________ face |
- racquet | 7 3 | 5 \ /
- butt | | \_______/
- \ /
- \ 6 4 / "Face-On" view... racquet face is
- \ 5 / in the same plane as imaginary
- -------- line connecting sides 1 and 5.
-
-
-
- The grips are explained below by relating the knuckle of the index
- finger to the relative racquet butt position the knuckle lines up over.
- In other words, to obtain a certain grip, place the index knuckle on
- the indicated butt edge and then slide your hand upward on the racquet
- grip. In case there's any confusion, here's a diagram of the (right)
- index finger:
-
-
- thumb (located about here)
- --
- -
- \ ----------------------------------
- | | --- \
- X ||| | | | | (first finger)
- | | --- /
- ----------------------------------
-
- "X" marks the bottom of the knuckle. Imagine that you are making a
- fist, and staring at the knuckles. X is the location where this bend
- would occur on the first finger.
-
- Summary of locations (refer to racquet butt diagram for positions)
- --------------------
- 1 Eastern backhand
- 1-2 Continental
- 2 Eastern forehand
- 2-3 Semi-Western
- 4 Western
- 5 Exaggerated Western (note this is also the Eastern
- backhand)
-
- The plain numbers like 1, 2, 3 refer to the flat portions of the grip
- while the 2-3 refer to the corner. Place the bottom knuckle of the first
- finger of your right hand to get the desired results. Left handers need
- to number 1 through 8 counter-clockwise rather than clockwise, and the
- locations should still hold.
-
- Description of grips
- --------------------
-
- Eastern forehand grip
- ---------------------
-
- This is the grip that is considered the classical forehand grip and
- is taught mostly in English speaking countries such as the US. It is also
- called the shake-hands grip because you should be able to shake hands with
- the racquet (assume the racquet is lying on the floor on its edge). The
- grip should also let you hit a ball that is about waist high and a little
- in front of you with a "relaxed" grip, and this grip should leave the face
- of the racquet perpendicular to the plane of the ground.
-
- You can hit flat, moderate topspin, to moderately heavy topspin with
- this grip. While it is rare to use this grip for serving, it can be used.
- It's pretty good for flat serves, but you need to work at it more to
- produce spin shots.
-
- For the remainder of this article, this grip will be referred to as
- the "conventional position."
-
- Eastern backhand grip
- ---------------------
-
- This grip allows you to place more of your palm behind the racquet
- which gives the racquet more stability than using the Eastern forehand
- grip. This grip is also commonly taught. If you hit the ball a little
- more in front of you than when you hit the forehand shot (hitting the
- backhand "properly" usually requires hitting the ball a little more in
- front than the forehand), and the ball is at waist height, then you will
- be able to hit the ball with a relaxed grip with the plane of the racquet
- perpendicular to the ground.
-
- The Eastern backhand grip is often used for serving. It feels
- awkward at first, but allows for serving with slice (since it feels like
- hitting the ball edge on initially).
-
- Continental grip
- ----------------
-
- The continental grip is halfway between the Eastern forehand grip
- and the Eastern backhand grip and used to be much more popular (in the
- 1960's) than it is now. The advantages are that you can use one grip
- for the forehand and backhand. This is especially useful when volleying
- when you require fast reflexes and don't have time to switch grips. The
- disadvantage is that the grip is more "open" on the forehand side than
- the Eastern backhand grip. In other words, grip to the "conventional
- position". Then, switch to a Continental grip. The racquet should
- tilt upwards slightly.
-
- If you're still not sure what an "open" position is, try the
- following exercise: sit at a desk, turn left so that the desk is on your
- right-hand side, and place your right hand on and perpendicular to the
- desk (as if you were going to do a karate chop). Tilt your hand a bit
- upward so that the palm faces upward. Imagining that your palm is the
- racquet face, this is an "open" racquet position. If you tilt your hand
- the other way so that the palm aims downward, you'll have a closed or
- more closed position. The more "open" the racquet face is, the more "up"
- it points, and vice versa.
-
- The Continental grip is useful for hitting late forehand shots
- because it allows you to hit late shots with a more perpendicular face.
- Note that the "idealness" of a grip (i.e., hitting it with a perpendicular
- face) depends on the location of where you hit the ball. The Eastern
- forehand and backhand grip are best for waist-high shots hit just a little
- in front of the body.
-
- This grip is also used for serving for similar reason to the Eastern
- backhand.
-
- Western (forehand) grip
- -----------------------
-
- This is known as the frying-pan grip. Imagine you lay the racquet
- down flat as if it were a frying pan. Lift it up. This grip should
- be pretty close to the Western forehand grip. Repopularized by Borg,
- this is the grip of most players who like to hit with a lot of topspin
- (though Connors uses this grip and he hits it flat). In the conventional
- position, the Western forehand grip would almost be faced down (parallel to
- the ground).
-
- You can hit with a perpendicular face if the ball is near shoulder
- height and a bit in front, or if the wrist and arm is contorted. The
- act of changing from a closed position to the perpendicular position in
- a smooth upward stroke helps to produce topspin. The grip plays one
- role in hitting topspin, but it is not the most crucial part. You can
- hit topspin with a Continental grip too, but most people hit it with a
- Western grip.
-
- Semi-Western (forehand grip)
- ----------------------------
-
- This grip is about halfway between a Eastern forehand and a Western
- forehand. If you used the conventional position, the racquet would be at
- about a 45 degree angle faced down. It's halfway being perpendicular and
- being parallel to the ground. A lot of self taught players use this grip.
- Often players with big forehands use this grip (though Eastern and Western
- grips will both work).
-
- Exaggerated Western (forehand grip)
- ----------------------------------
-
- This is a pretty awkward grip. It is more clockwise than the Western
- grip, and you can use the same face to hit a backhand too. Note that most
- people hit forehands and backhands with both sides of the racquet. The
- exaggerated Western forehand grip meant for those who want excessive
- topspin and the grip that goes with it.
-
- Two handed backhand grip
- ------------------------
-
- Typically, you use an Eastern backhand grip for the right hand (for
- a right hander) and a left-handed (using the adjustment in the diagram
- mentioned above) Eastern forehand grip for the left hand. This allows
- you to remove the left hand if needed to hit the backhand, and hit it one-
- handed. Some players use a forehand grip with the right hand, and the
- left hand is a left-handed forehand grip. This makes it easier to hit
- returns of serves, since the left hand can be removed and a conventional
- forehand hit, but is a little more difficult for hitting a one-handed
- shot.
-
- A final note
- ------------
-
- Although these grips are associated with certain styles of play
- (Eastern and Continental for flat forehands. Western for topspin forehands),
- there are players who use these grips for other styles (Lendl and Sampras
- hit Eastern forehands but with topspin. Connors hits flat Western forehands.
- Martina and Rod Laver hit topspin forehands with Continental grips). The
- basic rule of thumb is this, though. Given a "relaxed" grip, the idea
- position for a Eastern forehand is waist high, a little in front. The ideal
- Continental position is a little late or a little behind you. The ideal
- Western is a bit more in front and about shoulder height. However, with
- the Western and Continental grips, there is usually a compensation by the
- person so that one does not use a "relaxed" position, but still hits with
- a perpendicular face.
-
- -------------------------------------------------------------------------------
-
- -23- Racquet Stringing Information
-
- [The following writeup was provided by Dan Simoes (dans@ans.net). Followups,
- suggestions, requests, etc., about this article should be addressed to him.]
-
- A brief summary of what you need to know:
-
- - stringing can be done by mere mortals
-
- - it's not as easy as it looks
-
- - you can break your frame(s) if
- a) you make a big mistake (not clamped right)
- b) you have a cheap machine and it breaks (TR Stringer)
-
- - there are no learn to string books that I know of. You might
- get chummy with a local stringer in a pro shop, and ask him
- to teach you for free, for money or for beer :)
-
- - you should join the US Racquet Stringers Association, they
- provide a big manual with all the patterns you could ever
- dream of, good technique tips, and regular updates, as well as
- discounts and sometimes freebies. Call them at 619 481 3545.
- Oh, join before you buy a machine - you will find the Stringer's
- Updates are an excellent source for used machines.
-
- - The Klippermate is an excellent choice for a personal stringer.
- It is sturdy, well built, relatively easy to use (for a tabletop)
- and well worth the price. As far as tabletops go, I would
- hesitate to spend more - I own one myself. The 2 point mounting
- system used on the Klippermate is perfectly acceptable, and
- according to them, is better than a 4 or 6 point. The next step
- up would be a used upright like an Ektelon or a Winn Pro, for
- around $500 or so, if you have the space and need the speed
- advantage - you can string quicker with an upright.
- You will find an ad for the Klippermate and many other similar
- machines in the back of Tennis magazine.
-
-
- Q: How do I become a 'certified stringer?'
-
- A: By the USRSA (US Racquet Stringers Association).
- There are actually 2 types:
-
- - USRSA Certified: anyone can get this if you pass the test
- - USRSA CRT (Certified Racquet Technician)
- You must belong to an established shop where stringing is
- performed, and you must pass a (harder) test.
- The CRT designation was created to add credibility to the
- stringers who work at shops and therefore charge extra, as
- opposed to home-based stringers (like me) who string on
- the kitchen table and have no overhead.
-
- You can contact the USRSA at (619) 481-3545.
-
-
- Q: In a tabletop stringer, such as the Klippermate, is there any
- advantage to a 6 clamp mounting system as opposed to a 2 point?
-
- A: According to Klippermate, no. Even with upright models you will
- find differences in the way frames are mounted. The Winn Pro,
- for example, uses a 2 point mounting system with lateral support.
- The 2 point system used on the Klippermate works fine, and
- according to Klipspringer is a better method. It's sort of
- like the debate over front vs. rear wheel drive...
- No matter what system you use, make sure your clamps are tight
- or it won't matter how many mount points there are :).
-
-
-
- I guess this is a good start to a FAQ - please let me know what
- else you'd like to see, and I'll add it in.
-
- --
- --
- Christopher Smith . . . . . Georgia Tech. . . . . csmith@cc.gatech.edu
- rec.sport.tennis FAQ . . . . available via anon ftp from rtfm.mit.edu
- --
- Christopher Smith . . . . . Georgia Tech. . . . . csmith@cc.gatech.edu
- rec.sport.tennis FAQ . . . . available via anon ftp from rtfm.mit.edu
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